Saturday, August 23, 2025

Michelle Smith


Haiku


A stone's throw of gray

Lighting strikes the concrete boom

While the street goes on. 





Cookie Crumble Cracks


Cookie crumble cracks

baked in a neighborhood 

do not attack

the other connected

Cookie crumble cracks

do attract

paths that lead to uncertainty 

are they geometric lines

Or

togetherness they lack?

Cookie crumble cracks

Are a concrete jungle

a patterned spider web

Not complacent or completely 

out of wack.






A Veined Existence 


Is a patterned spider web

cemented into gray 

points of geometric, 

the shadow line compass

crosses a diagonal line

forming halfly  the Star of David

The other side exploded meaning

has peace  broken into uncharted

bits blown

gravel ravaged

War zones 

from dawn into

nightmares and nightfall 


PJ Swift

Frazzled


The frazzled older man with wild busy grey hair briefly approaches S. on the street. He recognizes him profoundly. As S. hastens his step, the frazzled man ambles onward. He was not expecting this, probably ever. He has seen his younger self. S. too realizes this, so impactful has been this essentially instantaneous encounter. He spends the evening roaming the city streets, searching for his younger self. But no such person materializes. He will have to wait until he assumes the role of that frazzled man -- to gain a taste and an appreciation of youth again.




The Street


Two old friends met on the street. This was the primary reason this street was created. Sure deliveries needed to be made, and children had to go to school, and others needed to pick up some groceries, or just a cup of coffee. But all that would have happened anyway, even without this street. The street's primary, grand, cosmic purpose was for random encounters such as this one - for how else would these two have remained friends? Sure, these two old friends could have planned a meeting -- which is exactly what the proceeded to do during this encounter (and of which about 37 percent actually happened) -- but the real plan, the master plan, was to have this street -- without it much relations would not happen.




The Street, II


The street is like a stream, carving its path over centuries. It bears the accumulation of personal incidents—moments happy, poignant, or perverse—each objectively inconsequential, yet together forming the minute, indelible etchings that have shaped it. Bit by bit, the footsteps of the forgotten have forged and flavored this street, an obscure inheritance of memory passing through faded generations. But what of today’s flash tsunamis? Multitudes of tourists plow through, their impressions instant, superficial, yet often cherished. The buildings and pavement remain, but the shops and pubs, catering to quixotic gratification, have grown generic and bland. Have these rushing hordes cleansed the street of its character, or does its spirit endure still, tucked in unseen corners, untouched, but tangible somewhere unknown?


Friday, August 22, 2025

Mary Langer Thompson

The Night Love Died


They say panic is common in the path

of an oncoming locomotive,

but Mr. Love didn’t seem rattled.

 

The engineer blew the airhorn,

pulled the emergency,

felt the jolt.


The AM/PM cup

spilled bitterness.

Time met Love near Third Street.


Now Love is timeless.

What was he doing on that track?

Did intoxicated Love conquer anything?

 

It was not reported how long the train was delayed.




There’s a Whole World on a Bus 

 

Is that you, Frida, on the far right,

dignified, yet free as wind blowing

the scarf around your neck,

next to the prosperous man

clutching his money bag,

next to the boy enjoying the scenery

of the Mexican streets,

next to his breastfeeding mother

staring adoringly at the baby,

a child you’d never have,

next to the worker in coveralls

grasping the handrail that would pierce you 

in the streetcar collision 

that would rip off your dress

and leave your nude body

covered with blood and powdered gold

from an unseen housepainter

before you proved you would endure

and paint even while dying?


There’s a whole world on a bus.  





L. A. Uber Angel


Where to, Sir? She purred sweetly, discreetly

my feet entering the seat behind her copper tresses

her caresses on the wheel distracting

my reacting to her logical question.


Home, I countered, and gave the address

without finesse, just tiredly, sadly, feeling stressed, 

a tad mad she’d taken so long to come along,

dread from being fired still in my brain

drained from leaving after all these years.


She turned her pouty lips and stepped on the gas,

past the corner Seven-Eleven, racing past homeless Kevin,

humming like someone directly from heaven.


We arrived in my driveway and she said, stay put,

although my foot was halfway out the door.

A little sore I slid back into my seat

while she got out and went to the trunk.

 

I thought I just want to get drunk, please hurry,

as she scurried and pulled out a soft black briefcase,

a trace of perfume looming when she lay it on the seat

and opened it, displaying vials of liquid.


She grabbed one, undid the lid, and poured something 

on two fingers and then zap! She tapped me between the eyes, 

and I felt transformed, really, I don’t tell lies. 

So I quietly paid her and she said, 

I know your name,

and it means Blessed by God.


I quickly Googled, and by God it did.


Who are you? I asked,

and she smiled and said, Who do you think I am?


I think I’ve found me an angel, I replied, again no lie.


That’s the nicest thing anyone’s ever said to me,

she sang as she danced her way back to the driver’s seat.


I felt anointed, not disappointed, as she drove away down my sweet street.


R A Ruadh

Destructive creation


From the clouds it came

where it had been lying in wait


cracking open the sky

striking the ground


burrowing deep into the soil

snaking under rocks


gobbling old dry rot

igniting networks of roots


buried secret embers

traveling meters and miles


no rainfall to drown

its silent heat


days later it explodes up

into the clear hot light of day


breathing in endless air

exhaling sparks into the wind


a scorching dance of drought  

wildfire forged by lightning




Enchantments of Hopscotch


The sidewalk is propped up

by the roots of elms

each paving block

at a different angle


some running odd cracks

others overlapping

no longer able to resist

the forces of nature

prodding and lifting from below


We stand around

chalks in hand

designing the grid around   

over and between the fissures

and twists of the sidewalk


We decide which end

will be the start and finish

how large the squares

and even whether to try

making them even

or go with the up down

sideways tilts and flows

of the cement sections


At last someone starts

and we all fall to

drawing our game

adventurously with

thirteen spaces instead of

the usual ten


The uneven surfaces

bounce our scotches awry

testing our balance

with each teetering hop

and bruising trip


Laughing and screaming

we rename the game

witch scotch to honour

the number thirteen

and the tricky lay of the land

requiring magical powers

to successfully navigate


Finally the shadows tell us

it is dinnertime

our tummies rumbling

affirmations of appetites

scotch stones are laid aside

chalks rounded up into their box


As we turn to head home

a patter of raindrops hints

at mysterious disappearances

of lines and numbers into

cracks and crannies of the night


The witch hopscotch still haunts

my memories all these years later

every time I encounter

a rooted-up sidewalk

begging for chalk and stones




High road


Curving around the mountain

we heard it

before we saw it


a roar of water

cascading from above

and on down into the ravine


and there it was

a huge gap

along the centreline


the outer half of the road

was hanging on

quivering in time to the flood


our van crept forward

trembling

hugging the mountainside


would we be

the straw that broke

the tarmac’s back


not a single breath

fixed in our seats

staring at the road


willing it to hold together

as the water pushed

and we swayed


then we were through

behind us death

ahead a camping trip


a day in the life

of the Tsilhqot’in

near Lillooet



Dan Flore III

CRACK


i crawled out 


from a crack


in the street 


to write as hard 


as it



Marie C Lecrivain

Roxanne on Seventh Street


you don't have to turn on the red light – The Police


How long ago did you stop caring? The search for Prince Charming in the red-tinged parade of faces that hover over yours, night after night, has gone beyond a raison d'etre, beyond the need to believe in fairy tales. The spike of your heels slowly sink into the concrete. The edges of your skirt fray along skinny steel thighs as you scan the streets for signs of expensive tastes; the quicksilver jaguar, a flash of gold around the wrist, the gleam of bonded teeth. Those trappings can sometimes guarantee a better class of client, though, not one who will caress ivory limbs gone marble cold, slowly build up the fire within, or, who will brush away, with soft kisses, the patina of sadness over your smile. As the sky darkens from purple to indigo, you spot a sports car as it snakes down the boulevard. You assume your best siren stance, turn on your crimson aura, and wait for him to find you.




Peacefire


There’s a class war

on my street

renters vs homeowners

but no HOA - yet


you can tell who’s who

by their Ring doorbell signs

and eight-foot wooden fences

that surround their homes


have the LAPD

non-emergency line

on speed dial

and host backyard parties 

until the small hours

with a Panamanian DJ

who spins Brazilian techno


use the article “the”

before the descriptives 

“homeless” and “working class”

to make their point of caste


walk their dogs

without a leash

while the renters’ cats

soak up sunlight

from apartment windows


I’m one of the latter

and i’m okay with that

I love my neighborhood

and wave at my neighbors

who pay 8.5% interest

on their 30-year mortgage


when I finally leave

either by choice

or in a body bag

my neighbors will toast

a sarcastic farewell

over tapas and craft beer


gia civerolo

love walks out the door


I see you walking out the door

Eyes darting, round for something more

Red lipstick and a tight black dress

Because of dark sins I confessed


On my knees begging you to see

There’s too much love for you to flee

I’ll put together your jigsaw heart

These tears are real, I tore us apart


Baby, please come back

Remember all our kisses, oh so tender

I am your angel with broken wings

I’ll be your king with rolled up jeans


I ‘m smoking packs of cigarettes

Smoke intertwines with my regrets

The clock is ticking half past two

Fighting the thought, I’ve lost you


I crushed your heart velvet black

I’m done with prayers you’ll come back

I push the tears down for a while

Put on my old cracked mirror smile


Baby, don’t come back 

Remember all our kisses oh so tender

I am an angel with broken wings

I’m still the king with rolled up jeans




Her grandmother wore the same flowered regrets


She decided to stay in bed with all her x-lover’s ghosts

Through a cracked window she saw the winds secrets

Manholed under black tar streets and red regrets

She smoked one cigarette after another tasting the past 


She caged all your monsters for her vivid dreams

Blurring all the colors into her bleeding imagination

Forgetting she is mad at all the things you never say

Hungry for what she always felt but could never name


Trapezing through broken small talk repeating in her head

Tired of clouds in her coffee pretending to be famous

Wearing a smile, you drew with her fire red lipstick 

Disappointed her sorrows weren’t sacred enough


So sad no one in LA looks up at the stars anymore

And still rivers rage in her veins despite invisible cuts




why do you only call late at night


Dirty dishwater gives

Nothing back

No reflection in

Cracked bubbles


Grief kept knocking at

Midnight doors

I open  


Crows 

Blend into black 

Velvet skies


I say 


“The Silence is annihilating”  

“It bruises blue.”


You say


 “What’s your point?”


As Fathers

Daughters gather

Together one last time


It was not easy

Not to envy


Wondering

Who robbed who?


It felt familiar

To have your 

Mouth moving


I wish I could

Go back Go Back


Bend and kiss 

Bend and kiss 


All nights 

Demolish me in

The In betweens


Mark A. Fisher

no one else sees


something stares out of a cracked sky

it’s something no one else seems to see

so I simply pretend there is nothing there


I drift down all the crowded streets

my eyes darting down and to each side

something stares out of a cracked sky


I never mention the thing that watches

I learned long ago to avoid the looks

it’s something no one else seems to see


the peering seems to look straight through

down into the deepest depths of me

so I simply pretend there is nothing there


Trish Saunders

Look up from the sidewalk, won’t you? 


It’s your ghost. No, it’s you, drifting down Belltown in the rain, careless of cracks in asphalt, fissures eager to raise a foot to trip you. You don’t remember me, but I see you many winters ago, explaining how you actually have a girlfriend “back East” and might end up marrying her, because her parents are wealthy, her father will certainly give you a job. 

That disarming smile as wasps fly out of your mouth, explaining how you’re looking for casual, something without much responsibility. All this I remember, plus the look in patient Michael’s eyes on hearing I had plans. The bitter coffee. How you loved telling the server it was bitter.   

If I could just be sure it’s you—look up from the heaving sidewalk, won’t you? Your back is bent. (Is mine?) So, you’re a ghost after all. Here’s a bus shelter, fall into it, never mind the rerouted sign, the #72 streaming by, faces all turned to the windows.    


Lida Parent-Harris

Fellow Obstacles


I just don't forget my mistakes.

I smoothe them out 

off the streets.

I admit the subtle ones 

were no fun.

Stumbled and fell behind

the same old run.

It takes courage to know

that I deserve better,

once my lessons were learned.

A drop of a hat,

a friendly pat on the back...

It's all the ways that keep 

me on track

to what truly matters.

I didn't give up, despite the shame.

I didn't lose faith 

from playing "the game."

Yet, I knew I'd look back and see,

my life has given me 

a new path to resolution.

An inner pride, and restoration.

I am one to count all the good

and bad, no fabrication.

Just me to know I was worth love

in the end.


.


L.A. Streets


Such a humdrum of high-flying

palm trees, and lingering cracks along a Hollywood street.

So familiar.

So much a home for many of us.

People who linger under the first sun, and dive into a pool;

Oh! what fun!

It's part of wondering if they'll ever fix these broken streets.

Let us see us bike through them, fearlessly. 

Just be sure you wear a good pair of walking shoes.

We'll exist anyway,

despite everything. 

That's what living in L.A. is all about.




Follow Me Home


I turned around and lost my way through this stubborn neighborhood highway.

Had an ice cream inside a turquoise truck,

wondering at all where my life was going.

Did it seem real?

Was my mind playing daydreams with me?

Where is the life behind this silly street?

The one I knew I better take notice.

All the rules have broken away,

and slipped through the cracks,

and followed me home.

One more gain to the broken bones.

Determined, I gained plenty.

Enough strength to pull me in and get me out.

Coming out of a fight,

a true winner,

without a doubt.


Thursday, August 21, 2025

CLS Sandoval

No Other Product

 

Mary Kay Cosmetics was a huge part of my childhood. Every Monday night Mom would host a meeting either in our home or in the meeting room at the bank across the street. My sister and I would watch Family Ties and eat pizza with Dad. When the meetings were at our house, we would get to come down and pick out one or two fancy desserts that the ladies had brought for the occasion. Everyone had on their beautiful suits, red jackets, dresses, hair done up, best jewelry on and smelled of Mary Kay foundation and perfumes. Fond memories, but I never thought I would be a Mary Kay lady. The year before my mom was to retire as a National Sales Director, I overheard one of her National Sales Director friends saying that her daughter wanted to become a director before she retired.  I asked my mom if she thought it was possible for me. My mother was shocked. She never thought that I would have any interest in Mary Kay and never put the pressure on me to do it. That last year of my mother’s Mary Kay career I worked my butt off and became one of her top directors by the time that she retired.  That entire year, I envisioned Susan Johnson from Mary Kay corporate announcing in her decidedly Dallas, Texas accent, as we walked across the stage, “Please welcome National Sales Director Patricia Lane and her brand-new offspring Director Crystal Lane Swift!” While Susan Johnson wasn’t the one to announce us herself, in every other way the moment was exactly as I imagined Dallas, Texas accent and all as we walked across the stage in that Dallas Arena. My Nana was even in the audience, probably remembering when she debuted as one of my mom’s directors 30 or so years before. Later during that Seminar, I would give the farewell speech to my mom and later I would realize that I had stolen that moment from my mom’s best friend Barbara, who had always been her top Director. I earned four cars and six diamond rings from Mary Kay and then mostly stopped working my business. I’ll never use a different product. I will always love the company but working it just is not the same without my mom.




Take the Baby!

 

Through the lens of my rose colored six-year-old eyes, it was just a fun trip to Santa Monica. Little did I know that it was just one more couples’ therapy session in a nearly decade long crusade my mother had been on to save her marriage for the sake of her children. This time, on the way to the therapist’s office Mom had decided to bring her children and her mother in addition to her husband. So the five of us waited for the walk signal to cross the six lanes of Los Angeles traffic. The curb was tall so it was a big step down and then another big step up on the other side. Just as we were ascending on the other side of the street, Mom tripped holding Tiffany in her arms. My one-year-old baby sister cried, and my mom started screaming, “Take the baby take the baby!” Nana looked at her daughter and yelled, “Trish, get up!”


Dad offered his hand

Would not leave his wife down there

In front of her mom





The End of My Mother

 

I thought the hardest part of this Easter this year would be Pastor Craig being retired.  Of course, I was wrong. When I get teary eyed, my seven-year-old tells me to pretend my mom isn’t dead—she’s just far away and we just can’t see her.  In a way, I know that this is true. Mom is in a better place.  Barbara says you can experience more than one emotion at once.  I feel peace that my mom knew she was joining Jesus, her own mother, her grandmother, her dogs, and other loved ones. Gratitude that I got to have her as my mom.  Disappointed that my children don’t get more time with their nana; I don’t get more time with her.  Deep despair at our physical separation.

 

The night before she died, when my mother was done responding verbally, my sister and I gave her those last doses of medicine, promising that it would help her feel better.  Without opening her eyes, she knitted her eyebrows and lips the way she did whenever she gave a wise crack.  We smiled slightly, that Mom would always be Mom.  Sometime while we were sleeping, she slipped away from this broken world to paradise.

 

 

Jeffry Jensen


KELLY LOOKS FOR CRACKS


On break from Married with Children,

Kelly takes a walk on the wild side of Hollyweed

Counting the cracks up and down Sunset.

She smells a fly in her ointment

Which throws her off course.

Before long, her mind starts to wobble

And she goes up dry creek without a functioning puddle.

LA County seems to be vanishing right

Before the horns of an enema.

I was doing my best quid pro quo

As the light changed from green to bright yellow

On some side street where strip searches

Become common law spouses without a limo.

A band of tourists boiled over into the Valley

As Kelly took dead aim at a nervous postman

Wandering the rancho neighborhood in the hills,

I had a tattoo moment at the corner of Hear and Now.

It was time to send the relatives back East

An assortment of misleading postcards

That were Edgar Allan Poe types taking

Shots at quoth the Raven Demi Moore

Since nevermore had gone up the wrong alley.


Tammy Smith

The Old Life I Had


Cracks—another

hole in the moldy

sandwich I bought

at the bodega

down the street from my SRO

in San Francisco’s Tenderloin.


Soggy, limp

pieces of city life

squished between

cold cuts: pale, sickly

bologna or honey-maple ham,

with slices of packaged

cheese clinging

to the plastic

they were stacked against,

like mice stuck in glue.


I was a grown woman

living in an eight-by-ten

square of squalor,

in one of the world’s

most beautiful places.


“Gross,” my friend said,

pinching her nose

whenever she opened

my tiny fridge—

the kind college kids keep

in their dorm rooms.


I stood beside her, staring

at dirty shelves stacked

with cheap leftovers,

containers of take-out—

my greasy life

wrapped in saran and styrofoam,

grittier than the sidewalk

outside this shitty hotel.


Tim Tipton

Metropolitan Tide


The strange fragrance of modern buildings

Hot street lights dazzle larger than most stars

Purple silent moon looms over jungle traffic

Sounds of strong edges of people and urban clamor

To be in beautiful soft neighborhoods at night

The city in my hand

The night will leave at dawn but

the feeling won’t

Casual pain of anxious thought of longing to be

Out there with you in the dark.




Love Parade


I remember my first time making love

to a girl I liked.


The feel in her thighs, ripe to the touch.

The quickness of my hand across her back,

her goose pimples tickled like salt from

the sea air just after a storm. Eyes the

light of a full spring moon.


We threw each other against the wall and

climbed on each other like a ladder.


My feelings for her were big and alive.

I felt like a creature. She was quiet like

her mother’s garden with very little to say.


When we said goodbye I came to kiss her,

but she turned her cheek to me. My last sight of her was

as she left, her mouth soft, wide, and affectionate.


Outside a parade marched through a city

street consuming my feelings of

longing and loss.




Black on Black


Outside my sleeping house,

Between the black asphalt street

and the deep black starry night

A late comer

To Mr. Sandman’s sleep-over,

Drags in at 3 am

Singing:

I have a crush on you, sweetie pie.


jf giraffe 🦒

DECISIONS (Haiku) 


Streetwise innocent

Not sure how to handle life

Misjudged everything 




CURIOSITY (Haiku) 


Crack in a sidewalk

Child looks down and takes a peek

Treasures to be found




SLOW MOVING (Haiku) 


The streets are narrow

like minds of politicians 

Tough to get somewhere 


Ellyn Maybe

Kaleidoscopic (Haiku)


Magical moment

The street has its own wishes

Stars shimmered above




 Wisdom (Haiku)


Leonard Cohen wrote

about the crack in it all

how the light gets in




Endless Whirl (Haiku)


The street is teeming

with all it never forgets

civilizations


Wednesday, August 20, 2025

Tim G Young

NEW TAR


Sometimes men come to splash

Black tar across the cracks in the macadam

Of the street in front of my house

I never see them

Has to be a very early gig

The new tar always reminds me

Of a painter’s brush strokes

Heavy and fat, delicate and thin

However not something

I’d hang on my wall.




CROSS COUNTRY


I’ve driven my car cross the country

Over smooth roads and cracked

So many roads going to

So many places

It can be very confusing

And high speed racer drivers

Can sneak up from behind

And pass

After a lengthy tailgate

Makes me angry

Makes me wish my car as like

One in a cartoon

So when I pressed a red button

It would rise up off the ground

Jump over the tailgater

And deposit me at the nearest exit

I would have a mile long laugh


Edward S Gault


FINDING PENNIES


My wife is lucky.

She always finds pennies

When she looks down.

She’ll see them on the sidewalk,

Sometimes wedged in the crack.

We’d be crossing the street,

And just as cars are gunning their engines,

She would bend over, and pick it up.

Not just pennies,

But also, nickels, dimes, and quarters.

Once she even found a twenty-dollar bill.

That doesn’t count, though.

It was the twenty dollars she found in my pocket

As she was doing the wash.

The universe picks my pocket

Then gives the change to my wife.

This adds up enough to get the laundry done,

But never enough to pay the landlord.

And the guys from the utility companies

Always want more.

The landlord and the gas guy have a contest 

with each other to see

who can get more out me.

Instead of sending me their measly bills,

They should just start looking for pennies on the ground.


Mike Turner

Enemy’s Embrace


‘Tis not the thief in the night

Which is the enemy

Nor even night itself

But time

Rising as a mist from the streets

Deep, chilling, relentless

Oozing up through chinks and cracks

Of what is left of the present

Subsuming all

Swallowing the last rays of sunshine

Dimming to hazy twilight

Until the final mote of day is winked out

Leaving only blackness

And eternity itself becomes without meaning

Because when no more change is to come

No more future beckons

When light and hope and memory are all taken from us

Even “now” becomes without form

Ceasing relevance

And time bares the menace of the infinite

As we sink in its embrace

Entombed

In an instant




(Untitled haiku)


Cracked mirror’s image

Reflects different perspectives

Of a central truth




Poetry Cracks


“Poetry”

Is the crack

In our armor

That allow our souls

To shine forth


(After Leonard Cohen)


Rebeca Thomas

Luberon Ètude


Wild thyme, wild thyme

Always looking for some

Wild thyme


Searching for growth

In the street cracks

On this dusky road

In Bonnieux 


Provence presents

The calls of peacocks

And tree frog songs

As the moon rises 


Wild thyme, wild thyme

Always looking for some

Wild thyme


In silver light

My fingertips are kissed

By starry saxifrage

Thriving betwixt cool limestone


Almost home now

The crunch of cedar twigs

Beneath my feet

I see the porch light glow


Wild thyme, wild thyme

In the south of France

I finally found

My wild thyme 


Mary Mayer Shapiro

BORN DIFFERENT 


What makes a male characterlike  

What makes a female characterlike 

Females can feel more 

Masculine 

Males can feel more 

Feminine 

Mind not in right body 

Comes naturally 

More comfortable 

True self 

Do not think 

About it 

More natural 

True self 

Felt from the beginning 

As a young child 

Born into a wrong body 

Born different 

Who to say what 

Is right or wrong 

Who is to judge 

The little fertile egg 

With all DNA 

Inherited from 

Mother and father 

By chance 

No choice  

Accept the difference 

In me 

It is what makes the person 

Who you are 

No need for judgement 

Cracks, jokes 

Afraid you cannot cope 

Born in the wrong body 

Just making it right 

Why label me 

Transgender 




ANGRY EARTH 


Take care of me 

Please 

Do not poison my soil 

Drill into my crust 

Causing tremors 

Shakes, eruptions 

Turmoil 

Disruptions of turbulences 

In oceans, seas 

Provoking waves 

Invading the land 

Hurricanes, downpours 

Disorder  

Throughout the earth 

Landslides 

Volcanic explosions 

Glacier liquefying 

Factories, autos, fires 

Pollution in the air 

Earthquakes 

Cracking land 

Falling buildings 

Bridges dismantle  

People trapped  

Please take care 

Of me 

Or 

Father time will 

Do us in 




DEAD END STREET


Street you grew

up on

Family

Not by blood

Everyone looked

Out for each other

Summer parties

All bringing a dish

Barbecues

Kids were like

Cousins

Many grandmas

Aunts and uncles

Time passes

Grow up. move on

Come back

Grandparents move

To nursing homes

Or died

Parents retired or

Go South

Cousins, grew up

Moved, jobs

Families

Only strangers 

Remain

Street you grew up

Houses, lawn

Stationary

All that was left

Just

Memories that

Once was

Strangers, not

Family

Houses, not

Homes

Not by choice

All is changed

There is no

Going back


Tuesday, August 19, 2025

David Fewster


NORTH BEACH IN THE 21ST CENTURY


Sitting in Caffe Trieste

on a Saturday afternoon,

where I never go

because it's always so damn crowded

and as it is I'm crammed between

the ATM machine & the restrooms.

Plus, I have to keep going outside

every 10 minutes to smoke

standing on the sidewalk 25 feet

from the entrance per regulations,

which you never had to do in the day of

Bob Kaufman, Gregory Corso, and Jack Micheline,

because then you could

bloody well smoke anywhere,

even in surgery.

And it occurs to me that

back in 1982 when I lived here,

I could've actually seen

those 3 guys, and maybe even

talked to them, or been insulted by 'em

right before they asked me for 5 bucks.

But I was not a POET then,

and thought North Beach incredibly corny,

and to be frank, by then those guys

were nasty shuddering wet brain alcoholics

(fight me--I've seen the pictures &

read the memoirs.)

Mind you, some folks my age

did seek these geezers out

and chronicled their ravings,

and some of them even parlayed

their obsession into careers, becoming

respected editors and historians of

the San Francisco Renaissance. 


Not me, I just sip my cappuccino grande

and sit ostentatiously writing this poem

(the only person in the joint doing this)

and ruminate on the blown chances

of yet another Golden Age

I lived thru but

didn't appreciate.


Joe Grieco

RELAY


I will shade you dressed in the bark of a mountain oak

I will float you: you’ll think I’m a summer river

I will pretend to be a Cadillac, I’ll drive you to the border while you sleep in the back seat

I will be grass and you will go barefoot

We will sidestep sidewalks, avoiding the pavement, the cracks, the checkpoints

This is the hand-off

Reach for the baton

Don’t drop it


Heather Romero-Kornblum

Roadside Unassist


I almost left you by the side of the road, earlier this week


I didn’t because I’m pathetic


because I wanted to look my son in the eye, after


because I don’t forget as easily as you do what I inflict on others 


Because all I could do was scream – 

my throat the only part of me that worked in that moment


The next day, I took my son to an appointment in a building I remember well,

on a street that made up so much of our past life and memories;

some of the ‘happy times,’ as I euphemistically refer to many years of our marriage


‘Honesty or out!’ I screamed as we careened up the 5


I did not leave you by the side of the road

I completed the drive with you and put you in an Uber


Those happy times, while happy with dinners, movies, dancing had tinges of sleights of hand

sideswiped and screaming for honesty


These days, I usually know better than to scream for honesty


I didn’t know that 9 years into our relationship, you would laugh in the background on a 911 call 

    (or maybe it was a triage nurse who then called 911) 

        saying you can revive me with CPR you learned in one high school hour 

            and you wouldn't epi me till full throat closure and me being unconscious 

                for at least 2 minutes while the operator screamed on speaker 

                    Don't listen to him ma'am – you must epi yourself now!’


One time, I struggled to remember how to use the EpiPen and the operator begged you to help me. 


When the paramedics showed up, you pretended not to know what was wrong.


In the ambulance, I mentioned to one paramedic that you said you could revive me with that high school CPR, and he said not to trust your judgment, as his eyes widened 


The next day, taking my son to the appointment,


I couldn't stop shaking


I couldn't stop shaking


Breathe




Kintsugi as Perpetuated Grief


I imagined us like Kintsugi 

beautiful because of the cracks,

better because of the cracks;

highlighted, gilded, 

stronger at the seams


There were so many cracks

gold filler consumed the original vessel


It must have value, I thought about the gold,

as I continued to sink cost




Unreality


The first time I touched someone else’s penis

I didn’t want it anymore


There was nothing wrong with it


I found myself dissociating as he rubbed my nipples


It was everything from your doctor trying to give me your driver’s license,

to your sister and her stories of how she thought – a misunderstanding – that I said you would kill her


How do I explain this to my son?

I asked, my voice, my body, my all cracking


Then, you ghosting again

‘Not in his right mind,’ your doctor tried to explain about the situation, previously


Alone again cleaning out more remnants of our life from the storage unit

you promised not to stick me with, this time


This morning, I explained to my new pulmonologist that yes,

I survived anaphylactic shock on a 17-hour epi drip – 

and POTS, pulmonary emboli and cousins, a heart attack, adrenal insufficiencies,

hypo- and hyper- glycemias, a bleeding and clotting disorder, something autoimmune, 

and after ten years, you leaving (mostly) permanently two days after a liver biopsy


None of that matched the smell of the other penis owner’s cologne on my arm


When is grief too much?


Carlos Ornelas

Street Cracks


I am born out of from street cracks,

like grass that escapes.

dandelion peeking through broken sidewalks.


A journey of nature against pavement. Mental enslavement.

You may hear my story yet you will not believe it. but let it serve you as inspiration if needed.

you can tell by my grammar i'm miseducated. 

for even in freedom, i'm incarcerated. 

my struggle and truth seem exaggerated. 

my words and my proof are highly debated.


regardless, I flourish through cracks on the street. kicked and got stepped on by thousands of feet.


dont celebrate wins but proud of defeats.

a product of mishap, I bloom through concrete.

the weed that persisted and sprung through the cracks.

A world full of lies, embarrased by facts.

I'm birthed from the asphalt, dressed in defeats,

a flower that bloomed through the cracks in the streets.


Shih-Fang Wang

Release


The weather is warming up

wisteria seed pods 

dried and twisted 

holding tight

await the moment of release


Then one day in spring 

comes the destined moment

I hear the first cracking sound

then a cascade of popping 

like small explosions

echoing for days


The force from within 

casts the seeds afar 

to land on a suitable earth

to germinate into a new life


It is the same

in a mother’s way

to release her children

into independence




Scene


The street is deep in slumber    

silence hovers everywhere          

lamp posts lining up on sides

emit a yellow light glowing

into a foggy night                                    


A lone figure emerges from the dark

dragging his weary legs 

hunger and age carved on his face 

he scans the sleeping roadway


His hands reach into a garbage can   

searching and fumbling for a while 

at last he finds what he needs             

opens his mouth eagerly 

he devours it 

as if a king enjoying 

a royal feast   


As I walk by that man

I whisper thanks for blessings   

for without them  

that soul could be me 


Wayne F Burke

Karen


"The Carpenter's" singing inside my

head

LONE  LI  ness is such

sad

music, makes me feel soft, mushy

I think of Karen's smile and

sensitivity, her

fragility even

as I walk the hard streets

of a granite-headed city

sadly lacking

aesthetically

don't you remember

I told you I loved you

bay

bee

yea, I do--

the slightly crooked mouth

who has

only just begun

to walk

then learned to run--

my feelings begin to

leak onto the

crooked street

until a pickup truck

blasts some country-fried 

whah whah

and I snap back

to the indifferent

reality

of where I am.




Poor


the O'Ryan's across the

street in their sway-backed

shackle ranch; nothing fit--

crooked stairs and lives;

the old lady a harridan

screaming at trespassers from

a window; chickens loose

in yard and barn; six kids,

a father who worked in the

lime kiln, and sat in the

backyard after work

drinking beer and looking

like an escaped convict...

They gave apples on

Halloween not candy.




Flattop


tiny gros beaks in the

tree outside

with flattop haircuts

like guys who did not want crew-cuts

back in the early 1960's

in the old neighborhood

in the old hometown

in a narrow valley

between two mountain ranges

that squeezed the houses and

streets closer together

each year.


Luis Cuauhtemoc Berriozabal

Dementia


Who will stand with me?

Who will remember

the things I have forgotten?

 

All the beautiful and terrible things?

 

The city frightens me.

I feel the harsh light

 

when I go outside.  I live in fear,

quite the opposite from my


daring days when

I was a different person.


There are cracks in my foundation

and my voice lacks strength.




Look and See Where You Walk


Watch it. Don’t step in it.

That crack will break your back.

Watch it. Don’t be like that.

Look and see where you walk.

 

Just forge ahead and go.

Don’t be a silly clown.

Everybody should know

that things are not as they

 

seem to be. Just take care.

Look and see where you walk.

Hear the birds sing their songs.

Write the book of your life.

 

Look and see where you walk.

Find your smile. Put your frown

away. What time is it?

 

Take a stroll down the street.

Start your day. Hear the beat.

Play the fool.  Tell the truth.

Surprise everybody.

 

Do the things that please you.

Just forge ahead and go.

Let your heart lead the way.




Dry 


Dry as a desert

my hand cracks

my lips crack

my eyes cannot

make tears.


Dry without your love

my heart cracks

my dreams crack

my mouth does not

water.


Dry as the dust bowl

my land cracks

my house cracks

my feet dance for

rain.


Dean Okamura


As the world cracks


I took a minute 

to pretend that Trump is not president 

I had to find a safe place 

far from the news 

away from the streets 

the quieting place on a summer’s day 


bark bark bark 

the barking dog 

who feels abandoned 

whine and whimper 

the rising crescendo on a summer’s day 


clap clap clap 

wake up the deities 

chase away the military police 

smile after farting 

the escaping monkeys on a summer’s day 


back back back 

you’ve gone too far 

what good comes from frivolity 

idle moments of insanity 

the tempting Calypso on a summer’s day 


     stay stay stay 

     do not leave Ogygia 

     for the nightmares in America 

     they’re rigging the system 

     the plundering thieves on a summer’s day 


It took years 

but finally the gods intervened 

breaking spells — near and far 

by heroes joined by others 

like an arrow shot through 12 axe heads 

restore our cities in peace 


——

Calypso, in Homer’s Odyssey, is the sea nymph who keeps Odysseus, the long-absent ruler of Ithaca, on her island, Ogygia, for seven years. By then, his crew is gone, his ship destroyed, and he spends his days yearning for home, sitting on the shore and gazing toward Ithaca. The “arrow shot through 12 axe heads” refers to the trial of the bow, where Odysseus, finally returned in disguise, proves his identity by sending an arrow cleanly through the aligned sockets of twelve axes — an almost impossible feat symbolizing skill, resolve, and the right to reclaim his throne and the life that was taken from him. 






I see a truck

 

he must think 

he is taking 

a victory lap 

through neighborhood 

streets 


because 

his side 

has won 


which was never fair 

because the majority 

always 

kept control 


there is no point 

in seeking 

a diverse 

equal society 


they’re all 

white haired men 

driving flags 

with trucks 





under pressure

 

          And love dares you to care for 

          The people on the (People on streets) edge of night 

           — David Bowie and Freddie Mercury, “Under Pressure” (1981) 


make an appointment 

take a seat and just relax 

your heart is racing 

swerving through crooked pothole streets 

to join you and hold your hand 


Marianne Szlyk

Ancestors on Wall Street, Worcester, MA, 1916


Then it was an unpaved path,

crooked, wooden houses almost

touching. Sober, one might’ve woven,

breathed heavy, dodged dogs and horse-drawn carts.


Drunk, my great-grandfather stumbled,

led by his daughter sent to bring

him home from bars on Grafton Street:

Malone’s, Flynn’s. Soon these would be gone.


Years before, my great-grandparents 

had their picture taken. They walked

downtown to hold still ten minutes 

in new clothes, new shoes pinching.


They sent copies of this portrait

to Lithuania, then kept

a few for children, grandchildren

who drove home on broad, tree-lined streets. 


And now here my ancestors are,

on the wall of an urban cottage.

Outside men bike up and down

our street, speak Spanish. Their daughters


also live here, walk up and down

this street. Some drive, but they do not dare 

dream of leaving this treeless place.


 

In the Boston Public Garden


We have gathered these specimen trees here,

not for shade but to be safe from axes,


safe from overhead wires, safe from tall cranes

that tear down, then build this city anew.


Once elms grew on the street. They gave us shade.

They gave their name to one street in each town.


Now, dizzy with sun and the absence of shade,

we walk these streets, carry water, buy Sprite.


I think of an elm I saw once at camp.

Teacher told us it wouldn’t live for long.


Poor tree, the class pest said. He even hugged

the spindly tree. I wonder if it still


lives alone in its woods crowded with oak,

maples, birch, and hemlock. Or if the woods


have survived this time of building anew.

Or what was once our camp is crowded with


treeless townhomes, asphalt, and SUVs.


 

Dreams of Lafayette


St. Boniface’s narrow, slate spire 

punctures the clouds in the sky. 

Inside these apartments grad students

read literary theory. Espresso machines 

rattle and Diet Coke chills.


A couple calmly speaks French.  

His blue bike waits outside. 

It is ready for him 

to leave this Hoosier city 

for someplace on the coast.  


Trains shook our wooden house 

on Ferry Street every night.

I would dream of earthquakes  

cracking windows and ceilings crumbling  

in apartments I once lived in. 


When we couldn’t get back 

to sleep, we graded papers. 

We drove to the all-night Village 

Pantry across Sixth Street’s tracks. 


Now the trains are gone, 

rerouted beyond the highway and 

strip malls. The Village Pantry 

closes at ten. I dream 

of Lafayette, living in these 

sturdy buildings, strong enough to 

protect us and our child.   


The bike, the one color, 

the metallic shimmer of sky

in this black and white 

world, is yours.


Originally published in Eos: The Creative Context.


Joan McNerney

 I Want A Writer's Block


A real writer's block. After I'm finished 

writing, I could run and skip down streets 

with all the other writers on the block.

Compare notes, exaggerate and have fun.


Another good one would be a crystal block

where those great master works live.

Stick it in a pocket and read it with my 

fingertips. Why strain my vision?


How about this? A big block of ice cream

oozing pass throat filled with inspiration.

Or a chocolate block of creamy images.


I want a writer's block. Any or all of the above.


Radomir Vojtech Luza

Mother Mirror


Emancipated eyebrows, momma

Independent lips

Electric fingertips

Skin like down

Breasts like icons


Where are the resistance fighters

Marching without hips

Dancing with dips

Sprinting without sips


Street cracks

Lab rats

Sun black

Blue bats


Abducted librettos

Red like wine

Tanning on the Jersey shore

Long like time

Shopping at the super store

With one thin dime


Just like you

My hair licorice and new

Soul fragile

Made of bamboo

Heart agile too


Losing it all

This late in life

Pushing the invisible knife

Testing boundaries

With no one in sight


Ovarian Cancer the official diagnosis

Loneliness the dark van

Frustration the also ran


Mother, your light burrowed a hole into my sight

No cataclysmic blight


Like you

I am part Jewish


Witness of a witness of Nazis 

Who shuttered your dramatic conservatory

Massacred your countrymen, women and children

Occupied your beloved Czechoslovakia


Of the confusion and suffering wars bring

Leaving us with absolutely nothing

But hell in heaven's sling

Plastic bling




Street Cracks


In concrete and cement

Streets and avenues pour from the vent

Vomit the smoothness like an open tent


In asphalt or tar

Medicine or car

Comet or star

Megadoppler scar


On the Hollywood Walk of Fame

Stars circle same

Like the Grand ole Opry's member game


Street cracks beneath soiled racks

Tennis shoes and bare feet

Skipping on parted lacks


Bicycles and cars

Motorcycles and pars

Much too far

Wheels in the stars


Rusted land

Alabaster sand

Without licorice hand

No mirth

Ship to Perth


Merely you and I

On a trip to birth

Leaving envy behind

On this strange, insane earth




Say Yes


To everything

Therefore nothing

Over street cracks and bridges


Through walls and halls

Like slithering rattlers

Breaking stalls


Say yes to it all

Do not stall

In the neighborhood mall

Bending to fall


Affirmative action

Instinctual reaction

Superficial subtraction

Internal refraction


Positive concoction

Serious explosion

Manipulated mansion

Pickpocketed palace


Say yes to life

Say yes to reality

Say yes to your dreams

Say yes to your aspirations


Say yes to now

Say yes to wow

Say yes to how

Never say yes to Mao


Lynn White

Death of Empathy


When empathy died

the soldiers could dance

in the streets they’d cracked

wearing the underwear of the women

whose homes they had destroyed.

And dance they did with pride.


When empathy was dead 

the soldiers could take children’s toys

from the rubble of their bombed homes

and repurpose them as tank trophies

mascots to be flaunted with pride

while the street cracked

under the weight.


When they had killed empathy 

the soldiers could shoot babies

in the head or gut - they chose,

and someone’s daughter 200 times, 

or 300 - they could choose.

And they filmed it with pride

from the street’s rubble and cracks.


When empathy was murdered

the soldiers could capture children

and imprison them in cages,

one metre square,

or whatever they chose

until they told them 

what they did not know

and then laugh with pride

in the smooth Israeli streets.


When empathy was dead and buried

deep down below the streets’ cracks

and only silence could be heard

Israel was supreme,

a supreme being, 

godlike in its power.

Human rights were dead,

humans would follow

any of them

even all 

would fall

through the streets of cracks

until the un-cracked power and pride

was cracked.




Cracked


I’d walked down the street many times

and not noticed the cracks.

I’d driven down there many times

in both day-time and night-time

and not noticed them.


But something seen so often 

may become unseen

so that night I climbed higher

to see the street from above.

A mosaic lay below me, 

a city of cracked squares.

Streets cracking 

where there

were no cracks

before.


Streets broken and fragmented

their cracks and splits

a metaphor

for a city cracking up,

for a world falling apart.




In That Space


Concrete and glass,

shiny stainless steel,

reflecting images

of distorted strollers,

shoppers

and coffee shoppers

passing each other by.


Walking purposefully 

or aimlessly 

footfalling

on the spotless tiles,

still damp

from their overnight

mechanical

wash and brush up.

Texting or talking

into phones

clamped to ears.


But then the street cracks open,

lifts its cheap veneer

so you see behind

the facades

and the cracks reveal

another place

and its people

living

in that space.


A glimpse of narrow streets

of tenements and courts

and terraces

with washing hanging

and children playing,

women gossiping.

Human sounds and smells,

and animal too, 

but working or wild,

not petted.


A different time

in that same space.

if you look through the cracks.


Susan Isla Tepper

Photo by Phoebe Wilcox

Color Bleeding


Who could deliver 

on such a promise

made at a different 

time and place


green things 

sprouting everywhere


leaves and stems 

wiggling up through 

a crack in rock

in many rocks 

so many plants


color bleeding into color.


You left me behind 

mind rot has infected you

in that godforsaken place

where nothing grows.


The pictures you send

send me to my bed shivering.


You say it calls to you

that dark landscape--

urging you 

whispering:

Make this place home. 


Robert Fleming

 







Veronica Hosking

walking down sidewalks

school children jump over cracks

protecting mom’s back





Nottingham Terrace 


I look back walking down the street in my old neighborhood.

I remember catching fireflies on warm summer nights.

Building forts in the woods behind our house now an ugly chartreuse.




Palm Lane Closure


I sit by my bedroom window and watch the world zoom past. 

Children ride their bikes down the street to meet friends at the park. 

The city sets out orange cones to begin patching up the cracks. 


Mike Maggio

STILL LIFE


What can the lonely gutter do

but embrace

a blue reclining nude

quenched

like a footpressed butt

mirrored in

the red-glazed wedges

of a restless beer bottle

and wait

for the swift tremulous cloud

to put out the sky.




Three Houses on Vineland Avenue


I

Three houses on Vineland Ave.

at 2 A.M. or so

the fog rolls in

three masses snuggled

in vast plush blankets

wheels roll

a red eye looms in the distance

wheels stop.

Home is where you happen to be at the moment.


II

At the tone the time will be

green

wheels roll

the radio strikes 2 at the triple intersection

eyes roll

walls in the clouded street

chimney floats like masts on sailing ships

wheels stop.

Believing is sight made sound.


III

Last call for alcohol

sounds and sights in twilight sleep

bottles roll

three nomads lost in the milky crossroads

doors roll

a roof eclipses the hands of time

welcome mats march by

footsteps stop.

What a mess of our lives we make.


EXPLANATION

A very bizarre experience occurred one night when I was going home in a very thick, LA fog.  I was stopped for a light at the intersection of Vineland Avenue and (God, it's been so long since I've left LA, I can't remember the other streets)! It's right in North Hollywood.  Anyhow, while I was waiting for the light to change, there appeared this ghostly image which actually frightened me because it was gigantic and indiscernible.  Soon, however, they emerged through the fog: three houses being transported, one behind the other, on these large trailers.

I had been toying sometime with the idea of writing cubist poetry: trying to apply the structure and vocabulary of cubist painting to poetic form.  I wanted to use light and shape, and I wanted to explore objects from various perspectives.  My experience that night on Vineland Avenue seemed to be the perfect vehicle for attempting this experiment.  That's how the poem came about.

I might also add it has been published in the NEW PRESS in New York, only after persistently arguing that ambiguity is an inherent part of the poem.


Andy Palasciano

Step Back


On base, there was a 

street I was walking down,

when, suddenly, I was told by

a group of men to stop.

Ahead, just a few steps from

where I was about to walk,

was a rattlesnake in the

crack of the road.  It was so

well camouflaged that I could

barely see it.  One Marine was

bold and walked close to it.

Another Marine said to him,

“Hey, Bayou Bob, step back.”

And they both laughed.  Minutes

later, The Game Warden showed up

and, with what looked like a trash

picker, snatched the snake in

one move, put it in a box and drove

off.  If I had stepped on that crack,

my mom would have been ok,

but not my back.




Refrain


There was a train

that ran in Disneyland.

It went through Prehistoric

Exhibits and through many

lands.  There was a crack in

the sidewalk near Tom Sawyer 

Island.  She told her husband

she wanted to eat at the

restaurant there.  She had never

been across the river to the

island.  But right there, I 

was told to remain.  The 

restaurant is not just a 

stop of the train but

a moment in eternity.  We 

will eat at this restaurant

and there will be no refrain.


Carl Stilwell AKA CaLokie

Nine-year-old Maryam Abdulaziz Mahmoud Davvas, who took shelter with her family at a displacement center in 
Gaza City due to ongoing Israeli attacks, has become unable to walk because of severe malnutrition. Maryam, who 
weighed 55 pounds before the escalation, has dropped to just 22 pounds. Her family is calling for medical 
evacuation and nutritional support to keep her alive. (Ahmed Jihad Ibrahim Al-arini Anadolu via Getty Images) 
This image is one in a series highlighting the suffering of children in Gaza, where a humanitarian disaster is 
escalating and civilians are starving. See the series at latimes.com/opinion/story/famines-toll-on-children-in-gaza .


A HOLOCAUST VILLANELLE 


Do not gaze into that demonic Gaza night. 

From the sight of starving skeletal kids look away. 

Deny, deny there's any dying of the light. 


Although international law says collective punishment is a war crime,  

keep killing innocents by bombing, gunfire and forced starvation everyday. 

Do not gaze into that demonic Gaza night. 


Granted, bombed building rubble on streets is a sore sight. ’ 

In defense against terrorism, insist it’s the only way. 

Deny, deny there's any dying of the light. 


Listen not to those calling Israel’s war against Gaza a genocide. 

On Hamas, the sufferings of Palestinians lay the blame. 

Do not gaze into that demonic Gaza night. 


Tell doubters to always look on the bright side. 

Assure winning war against Hamas will bring a better day.  

Deny, deny there's any dying of the light. 


Do not pay any attention to your lying eyes, 

Only believe what your government and mainstream media say. 

Do not not gaze into that demonic Gaza night. 

Deny, deny there's any dying of the light.


Barry Vitcov

Prayers for Empty Spaces


The park row has been denuded of trees

ornamental plums no longer litter the sidewalk

with their seasonal waste

pretty as they pleased.


Others labeled a nuisance

hacked away from their roots

with axes and grit who since

were forcibly wrestled and towed 

from their earth’s growing places

chipped and scattered

like unfulfilled curses.


Holes, voids, loss from disease

occluded branches like crooked 

tea-stained teeth:

excuses given 

for their growing to cease.


Shall we mourn winter’s skeletons

after a full life in summer?

Shall we replant in fall 

and celebrate new birth in spring?

Shall we say a prayer

full of hope and consequence? 


The emergence of emptiness

borne of struggle

invites gnarled hands to secure 

with water, wishes and aging compost

maples, tupelos and feathery birches

when meaning becomes something 

more than mere searches.


Soon new birds’ nests grace

street-side forests

like woven offerings

for hope and resolution:

Prayers for empty spaces.



Ducks and Demonstrations


two ducks bathing and preening

without pretense or other meaning

because it’s never necessary in cool water


is their activity any less important than mine

or that fallen limb across the creek

connected even in death 

to the wooded neighborhood

spread out like an inverse sky


streams move with repetition

like a numbing rondo or soothing lullaby

regardless of the time of day

or what anger is taken to the streets


beating noisy shouts

for justice and equality

it might be a long summer

after last fall and winter

and a deep breath in fragrant spring


starting hot with dry blisters

and a sense of languidness

before another odds-on prediction

for a call to arms


like knowing ducks will bob for seed

worms, water snails and pond weed

regardless if we’re paying attention

or not



Lessons Learned on a Morning Walk


A normal morning walk

Abbey at my side

sniffing messages left by other dogs.


I say hi to Michael and his corgi.

You look familiar he says…

with the question mark

we all share at a certain age…

the doubt that comes with 

recognition but no name.


I remind him with a gentleness

of understanding.


Oh, yes, your hat and sunglasses

caused uncertainty…

we are all enigmas before

we remove our disguises.


Abbey cocks her head as though

she is politely doffing a hat 

and we continue on our way.


There’s that familiar lady,

a fixture in the park,

with her floppy straw hat

and a look of constant wonderment,

an exploding world of joy

while in her invented community

voicing a barrage of happy birthday,

happy birthday, happy birthday

a gatling fun gun of fond wishes

to everyone she greets

along the park’s streets.

She’s an equal-opportunity

happiness machine

proving sanity might be overrated.


I wave and thank her

not sure thanks are enough

but feel the ease 

that enigmas have meaning

beyond our understanding.


Chad Parenteau

Street Smart


Glove river

long gutter


leads to every

busy window


voices break

on through


like sweat 

in faceguards


one of sixteen

wearing masks


uncovered

line up 


fight for first

place, final party.




Crack


Down to count

own fall

 

check shoulders

on the mat

 

yet you

just sit.

 

Junkie nod

sans junk

 

is easy

just wait 

 

and assess

where you are


days end

veins empty

 

fixless fade

to nothing.


Strung out

all legal


beware

life leads


to more drugs

if smart.




White Plight


Streets crack

from total 

accusations.


Every sidewalk

murder rows,

crow circles.


Be like small

towns, scream

proof windows.


Mom pleads 

never go out

and get killed.


Darknesses 

blend better in

urban shadow.


Killers wait

on every block

leading home. 


She stamps out

imagined dangers

from city spine.

 


Jackie Chou

Watching Where I'm Going 


I live amidst whooshing traffic 

and fragrant lantana bushes 

of an urban street


Here and there

cracks mark the detours to paths 

not conceived of before 


Their squiggly shapes 

remind me of the wayward lines

on my palms


These small crevices 

are like rivulets 

where dandelions sprout


Little yellow sisters

they sway side by side

in the summer breeze 


I too blossom 

through narrow chances

like the trembling florets


There is always broken glass

but my feet are too deft

to step on it


And I am wary of the sting

of prickly cacti 

and roads well-traveled


Lawrence R Berger

Beware of the Crack!


No dentists anywhere in sight

just street rats trying to get their next fix

Mothers ignore their children while sucking on glass dicks

that doesn’t even satisfy their lust for their souls.

Dried up raisins trying to be

strawberries on Hollywood Blvd.

emaciated chests and legs that once could stop traffic

too far gone to do more than inhale.

The journey was far

Many started out happy

successful

or desperate

They had real

but then they got a taste

and nothing else mattered

They give birth to children who are already addicts

and die by the millions

some of them still try and vote

I can think of no other explanation for this administration. 


Maria A. Arana

Winter Wind


like the cold coffee stirred awake

by the grinder

 

like the mutilated body preserved by the last snow fall

by the park oak tree

 

like the invisible air rustling the leaves for a dance

and making the paper roll on the street

 

only to stop near the sludge of trash after the rain

cold

 

a vision one swallows in heart and thought

the job must be done

 

the reason discovered

as the day he left you


 

 

First Car

 

indigo blue night

inner tan skin crush

revved horsepower

metal dashing winding streets

compliments revolution

remove the anonymous

ground you into idleness

bring freedom from work strain

until white marks stained 


 

 

Tango Dream

 

I’m not letting go

not for the hundredth time

this is the new wrap around

my finger

my leg

curled around your neck

keeping you locked in place

letting the years together

burn a hole through these binds

 

no

I’m not letting go

this is the new wrap around

sliding glutes

pressing joints

missing lips

this is the vault

my heart drums to its beat

tick tock

the years pass

and your neck

impression of a tire track

 

no

I’m not letting go

not for the hundredth time

I’ve watched you walk out

made my life a brittle landscape

now shaping your neck

this is the new wrap around

coiled phoenix serpent

made for memory’s brand

burning the cracks already present

legs changing position

arms extend away from warm hands

sweat covers the skin

like dew

after the wrapping

 

Connie Johnson

 







Michelle Smith

Haiku A stone's throw of gray Lighting strikes the concrete boom While the street goes on.  Cookie Crumble Cracks Cookie crumble cracks ...